Creative Seasons: When the Story Needs Space to Breathe

For the past several weeks, my writing life has slipped quietly into one of those unexpected “wintering” phases — the kind we don’t always plan for, but usually learn from.

This wasn’t a conscious retreat. It was more like the feeling of walking through a familiar forest trail and realizing the path has narrowed for a while. Life grew very full — in the way life often does — and my creative energy shifted into a slower, more contemplative rhythm.

I’ve been thinking a lot lately about creative seasons: how our stories sometimes press forward urgently, and at other times retreat below the surface, asking for patience rather than progress. As writers we’re taught to fight that ebb and flow, to push through with word counts and rigid discipline. But I’m discovering there’s a quiet kind of wisdom in letting a story breathe, especially when the rest of life is calling loudly for attention.

Even in the still moments, the work hasn’t stopped altogether. It’s simply happening in a different register.

A sentence that drifts through while I’m making coffee.

A character revealing a new facet when I’m on an evening walk.

A theme deepening itself when I’m nowhere near the keyboard.

This season has also carried the early tremors of a major life transition for me — including the possibility of a geographic relocation in the not-too-distant future. Change has a way of rearranging the inner landscape long before it rearranges the outer one, and I can feel my creative world shifting in response. Stories evolve when we do.

If you’re in your own quiet creative season, I hope you can give yourself permission to trust it. Not every step of the journey needs to be brisk; some chapters are meant to be slow. Some seasons strengthen the roots rather than the branches.

My stories are still with me — the novels, the plays, the screenplays — but right now they’re percolating, deepening, reshaping themselves while they wait for their next burst of momentum. And I’ll be here, listening, ready for when the next season arrives.

Thank you for staying with me through all the seasons, fast and slow. 


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Naomi Vondell

Naomi Vondell is a Canadian writer of literary fiction with spiritual undertones, emotional resonance, and a touch of quiet humour. She lives in Northwestern Ontario, having spent most of her adult life in Toronto and the surrounding area. Her work explores themes of identity, memory, faith, and transformation. A lifelong storyteller, Naomi’s creative path has included acting, songwriting, and screenwriting. She holds a Master’s degree in clinical psychology and worked for years as a psychometrist before turning to fiction full-time. She earned her Creative Writing Certificate from the University of Toronto and studied screenwriting through UCLA Extension, where she trained with industry professionals—including a Star Trek: The Next Generation writer. Naomi is also a caregiver, a lover of Shakespeare and Buster Keaton, a fan of classic sitcoms and naval history, and a survivor of childhood bullying due to her neurodivergence. Her writing is shaped by curiosity, compassion, and a deep reverence for stories that reach across time. She is currently at work on a play (The Shell), two feature films (Going Global and a body-swap political satire), and a companion story collection titled Before the Light.

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