Grace’s Nose: Why I Included It and What I Learned About Identity

Photo by Marina Vitale on Unsplash

A Feature, a Story, a Choice

The features we’re born with are more than just physical traits—they tell stories. They link us to our ancestors, shape how the world sees us, and, sometimes, become a source of internal conflict.

For Grace Morgenstern, the protagonist of The Second Coming of Grace, her prominent nose is a defining feature. It’s something that’s undeniably hers, something passed down through generations. But it’s also something that, at times, makes her feel like she doesn’t fit the narrow beauty standards of the industry she’s trying to succeed in.

I gave Grace this feature because I understand the struggle firsthand. Like her, I grew up feeling pressure to change my appearance to fit societal expectations. And, like her, I wrestled with what that meant for my sense of identity.


Addressing the Elephant in the Room: The Hooked Nose Stereotype

I want to take a moment to acknowledge something important: the “hooked nose” has historically been used as an antisemitic stereotype. I’m aware of this, and I want to be clear that Grace’s nose is not meant to play into that stereotype.

Her nose is a realistic, lived-in feature—one that many people (Jewish and non-Jewish alike) have. It’s meant to reflect her heritage in a personal way, not as a trope or a caricature. It’s a reminder that features associated with ancestry should be celebrated, not erased.

That said, it’s also true that society doesn’t always see it that way. The beauty industry, Hollywood, and the world at large have long pushed a narrow ideal—one that often excludes features that don’t conform. This is exactly the pressure Grace faces in the novel when her agent, Krystle, subtly suggests she’d be more “marketable” if she softened certain aspects of her look.


Personal Connection: Why This Matters to Me

Grace’s struggle with her appearance mirrors my own. I once had a strong, prominent nose—until I didn’t.

Like many young women, I felt the pressure to conform. I thought that if I changed one thing about myself, I would finally fit in, finally feel beautiful. So, I had rhinoplasty. The result? A smaller, more conventionally acceptable nose.

What I didn’t realize at the time was that changing my nose wouldn’t change the deeper feelings of self-worth I was grappling with. In some ways, I regret the decision—not because I don’t like how I look, but because I now understand that I was trying to solve an internal issue with an external fix.

Even today, I live with unintended medical consequences from the surgery. It turns out that forcing something to fit where it wasn’t meant to be changed can come with long-term effects—both physically and emotionally.


What Grace’s Nose Represents

For Grace, her nose isn’t just a physical feature—it’s a symbol. It represents:
🔹 Her Jewish ancestry and the family she comes from.
🔹 The struggle between self-acceptance and societal expectations.
🔹 The choice to embrace what makes her unique rather than erase it.

Her grandmother, Rivka, gifted her a Star of David necklace—a tangible reminder of her heritage. Her nose is an inherited reminder of that same lineage, something that connects her to the generations before her.

When Krystle tells her to remove the necklace and subtly critiques her nose, it’s not just about aesthetics—it’s about identity. It’s about erasure vs. visibility.


Why This Conversation Matters

This isn’t just about one character in a novel—it’s about a much larger issue. Women, and especially women with ethnically distinctive features, have been pressured for centuries to conform to Western beauty standards.

📌 In Old Hollywood, many Jewish actors were pressured to change their names and undergo rhinoplasty to appear more “American.”
📌 Women of colour have long been criticized for their natural hair, leading to a struggle between self-expression and professional acceptance.
📌 South Asian and Middle Eastern women have often been told to soften their features to fit Eurocentric ideals.

These pressures aren’t always overt—sometimes they come as a “friendly” suggestion, a well-meaning remark, a tiny push toward assimilation. That’s exactly what Grace faces in The Second Coming of Grace.

But ultimately, Grace chooses to embrace herself—”flaws”, features, and all.


Your Story Matters

Have you ever felt pressure to change something about yourself to fit in? How did it shape your journey? Share your story in the comments—I’d love to hear from you.


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Naomi Vondell

Naomi Vondell is a Canadian writer of literary fiction with spiritual undertones, emotional resonance, and a touch of quiet humour. She lives in Northwestern Ontario, having spent most of her adult life in Toronto and the surrounding area. Her work explores themes of identity, memory, faith, and transformation. A lifelong storyteller, Naomi’s creative path has included acting, songwriting, and screenwriting. She holds a Master’s degree in clinical psychology and worked for years as a psychometrist before turning to fiction full-time. She earned her Creative Writing Certificate from the University of Toronto and studied screenwriting through UCLA Extension, where she trained with industry professionals—including a Star Trek: The Next Generation writer. Naomi is also a caregiver, a lover of Shakespeare and Buster Keaton, a fan of classic sitcoms and naval history, and a survivor of childhood bullying due to her neurodivergence. Her writing is shaped by curiosity, compassion, and a deep reverence for stories that reach across time. She is currently at work on a play (The Shell), two feature films (Going Global and a body-swap political satire), and a companion story collection titled Before the Light.

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