A New Beginning: Why I’m Rewriting My Novel from Page One

You know those moments in life when something just clicks—and you realize, as clearly as sunlight through a window, that it’s time for a fresh start?

That’s where I am right now.

I’ve made the decision to do a full, from-the-beginning rewrite of The Second Coming of Grace—and I want to tell you why.

The Heart of the Story Is Still the Same

This novel started with a big question:

What if Yeshua of Nazareth—known today as Jesus—reincarnated in the modern world… as a woman?

That question led me to Grace Morgenstern: a clairsentient actress in Toronto, navigating ancestral memory, intuitive gifts, and the complicated beauty of coming into her power.

Grace’s story still pulses with that same energy. But the way I’m telling it is about to become much more me.

The Role of AI—and the Reason for the Rewrite

When I first began writing this novel, I used AI as a brainstorming partner—someone to bounce ideas off of when I hit the wall, someone to help me move from outline to first draft when my day job and caregiving duties left me with little time and less brainpower.

But in the lead-up to publication, I’ve learned that there are real copyright limitations with AI-generated fiction. Some publishers (including Amazon, where my book is listed for preorder) require authors to declare their use of AI—and in some cases, that can limit how the work is received or protected.

And more importantly?

I want this story to be mine. My voice. My rhythms. My soul on the page.

So I’m going back to page one.

There’s a Deadline—and a Dream

The Second Coming of Grace is already listed for preorder on Amazon, with a publication date of June 9, 2025. Here’s where it is.

(Once the link is live, I’ll share it right here.)

The Amazon preview includes the rewritten prologue and Chapter 1—so if you’ve been wondering what the rewrite sounds like, you’ll get a taste very soon.

Between now and launch day, I’ll be working furiously to complete the full rewrite. It’s ambitious—but I know this story. I know these characters. And I know the heart of what I want to say.

It’s time.

Not a Setback, but a Return

This isn’t failure. This is alignment.

This is what happens when the work deepens.

When you stop writing to meet expectations and start writing from the fire in your chest.

When the scaffolding comes down and the voice underneath is finally ready to sing.

What Comes Next

In the coming weeks, I’ll keep posting about the rewrite process here on the blog. You’ll see me sharing character insights, Toronto settings, emotional themes, and snippets from the rewrite itself.

And on June 9, the new version of The Second Coming of Grace—all mine, all original—will make its way into the world.


Have you ever started over—not because something was broken, but because you knew you were ready to do it better, and in your own voice? I’d love to hear your story in the comments.


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Naomi Vondell

Naomi Vondell is a Canadian writer of literary fiction with spiritual undertones, emotional resonance, and a touch of quiet humour. She lives in Northwestern Ontario, having spent most of her adult life in Toronto and the surrounding area. Her work explores themes of identity, memory, faith, and transformation. A lifelong storyteller, Naomi’s creative path has included acting, songwriting, and screenwriting. She holds a Master’s degree in clinical psychology and worked for years as a psychometrist before turning to fiction full-time. She earned her Creative Writing Certificate from the University of Toronto and studied screenwriting through UCLA Extension, where she trained with industry professionals—including a Star Trek: The Next Generation writer. Naomi is also a caregiver, a lover of Shakespeare and Buster Keaton, a fan of classic sitcoms and naval history, and a survivor of childhood bullying due to her neurodivergence. Her writing is shaped by curiosity, compassion, and a deep reverence for stories that reach across time. She is currently at work on a play (The Shell), two feature films (Going Global and a body-swap political satire), and a companion story collection titled Before the Light.

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